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Search resuls for: "Kwame Nkrumah"


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Amid the graphic images, fierce polemics and endless media criticism that have dominated my social media feeds since the war in Gaza began late last year, I noticed a seemingly bizarre subplot emerge: skin cancer in Israel. “You are not Indigenous if your body cannot tolerate the area’s climate,” one such post read, highlighting outdated news coverage claiming that Israelis had unusually high rates of skin cancer. In the context of the ongoing slaughter in Gaza — more than 28,000 people dead, mostly women and children — such posturing may seem trivial. But even, or maybe especially, at this moment, when things are so grim, the way we talk about liberation matters. In this analysis, there are two kinds of people: those who are native to a land and those who settle it, displacing the original inhabitants.
Persons: , slinging, Frantz Fanon, Ghana’s Kwame Nkrumah, Jawaharlal Nehru, Fanon — Organizations: Palestine Locations: Gaza, Israel, Jordan, Palestine
Exploring Ghana, With Contemporary Art as a Guide
  + stars: | 2024-02-05 | by ( Grace Linden | ) www.nytimes.com   time to read: +1 min
In late 2022, I was invited to go to Ghana with a friend researching work by the Ghanaian artist Ibrahim Mahama, who first made a splash at the 56th Venice Biennale in 2015. We were going to Ghana to learn about the context of his work and also to understand the emerging contemporary art scene in the country. Over the past few decades, the art world has opened up beyond Europe and North America to create a more globalized market. In recent years artists like Mr. Mahama, and the fellow Ghanaians El Anatsui and Amoako Boafo have risen to prominence. We wanted to learn how that attention had affected contemporary art in Ghana.
Persons: Ibrahim Mahama, Mahama, El, Amoako Organizations: Venice Biennale, of Art, Kwame Nkrumah University of Science and Technology Locations: Ghana, Ghanaian, Venice, Europe, North America, Accra, Kumasi, Ashanti Kingdom, Tamale
Later, he trained with J.A.C Holm (another Ghana-based photographer) for three years before establishing his own studio aged just 23. This subject of this image of Miss Ghana taken in 1958 was identified by her grown-up children. J. K. Bruce Vanderpuije/Courtesy Deo Gratias Studio/Efie Gallery“Once, a photographer from South Africa visited and said, ‘You guys are sitting on a goldmine,’” she explained. With a shift in new technologies and the way we interact with photography evolving, however, Tamakloe acknowledged that most people now look elsewhere for their mementos. “People do come and have passport pictures taken, but it’s not as busy as it used to be,” she said.
Persons: J.K, Bruce, Vanderpuije, ” Kate Tamakloe, , , Kwame Nkrumah, Bruce Vanderpuije, Tamakloe, rectifying, Aïda Muluneh, ” Muluneh, James Kobla, J.A.C Holm, — Isaac Hudson Bruce, , ’ ”, “ I’m, Seth Anthony, Kojo Ababio, Deo Gratias, we’re, it’s Organizations: CNN, Albert Museum, Efie, Accra Royal School, Miss, Miss Ghana Locations: London, Ghanaian, Victoria, Ghana, Britain, Accra's Jamestown, Jamestown, Accra, , Dubai, Africa, British, Miss Ghana, South Africa, Ethiopia, West Africa
The Man Who Pictured Ghana’s Rise at Home and Abroad
  + stars: | 2023-06-30 | by ( Aruna D Souza | ) www.nytimes.com   time to read: +1 min
The 94-year-old British-Ghanaian photographer James Barnor calls himself “Lucky Jim” — he’s been “at the right place at the right time and met the right people” during a career spanning more than six decades and two continents, he said in a recent telephone interview from his London home. It’s easy to believe him looking at “James Barnor: Accra/London,” a major retrospective of his work across genres — studio and street photography, photojournalism and fashion, images that range from the quietly intimate to the historical and iconic. Shown at the Serpentine Galleries in London in 2021, the exhibition is on view in an expanded form at the Detroit Institute of Arts, through Oct. 15. Take a modest picture by Barnor from 1952 of Roy Ankrah, a Commonwealth featherweight boxing champion. Barnor posed the three on Nkrumah’s couch — and then jumped into the frame, perching on an armrest, becoming part of a momentous history unfolding.
Persons: James Barnor, “ Lucky Jim ” — he’s, Barnor, Roy Ankrah, Ankrah, Rebecca, Kwame Nkrumah Organizations: Detroit Institute of Arts, Commonwealth Locations: Ghanaian, Accra, London, , Republic of Ghana
These faces aren’t from history books – they are self-portraits of renowned photographer Samuel Fosso, and they have earned him this year’s Deutsche Börse Photography Foundation Prize. A jury then awards one artist a £30,000 ($37,000) prize for their significant contributions to contemporary photography. Samuel Fosso strikes the iconic pose of Olympian Tommie Smith in this photograph from the 2008 series "African Spirits." Samuel Fosso/Courtesy JM Patras, Paris“It’s never evident, what Black people suffered for independence or during slavery,” said Fosso. And yet he was still surprised to receive a call announcing he’s won this year’s Deutsche Börse Photography Foundation Prize.
Persons: Samuel Fosso, Maison, , ” Fosso, Martin Luther King, Jr, Shoair Mavlian, , He’s, Prince Nico Mbarga, Tati, , Fosso, Kwame Nkrumah, Malcolm X, Muhammad Ali, Angela Davis, Tommie Smith, Paris “ It’s, Fondation Louis Vuitton, he’s, they’ve, ” Samuel Fosso’s Organizations: CNN, Börse, , Central African, Guggenheim, Fondation Louis, Tate Locations: London, Europe, Nigerian, Paris, Cameroon, Nigeria, Biafra, Central African Republic, Ghana’s, New York
Lagos, Nigeria CNN —The death of Queen Elizabeth II has prompted an outpouring of reflection and reaction online. Among the worst atrocities under British rule occurred during the Mau Mau uprising, which started in 1952 – the year Queen Elizabeth took the throne. Queen Elizabeth II on her way to the Kumasi Durbah with Kwame Nkrumah, President of Ghana, during her tour of Ghana, November 1961. Queen Elizabeth II and Prince Philip wave to a crowd of schoolchildren at a rally held at a racecourse in Ibadan, Nigeria, February 15, 1956. Queen Elizabeth II dances with President Kwame Nkrumah of Ghana, during her visit to Accra, Ghana, in 1961.
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